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Call for Papers Documenta (Volume 43, Issue 1, 2025) | Milo Rau - Comparative Lenses
Posted by Documenta on 2024-07-15

Guest editor: Lily Climenhaga, lily.climenhaga@ugent.be In 2009, Swiss-German theatre-maker Milo Rau stormed onto Western European mainstages with the premiere of the first production of his then recently founded production company, the International Institute of Political Murder (IIPM), The Last Days of the Ceausescus. Since 2009, Rau has gained international prominence for his brand of [...]

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Call for Papers Documenta (Volume 42, Issue 2, 2024 and Volume 43, Issue 2, 2024) - Toneelstof V & VI
Posted by Posted by Steff Nellis on 2024-01-16 © "Infini 1-15", Jozef Wouters/Decoratelier (Photo: Phile Deprez) on 2024-01-16

CFP Documenta – Toneelstof V & VIIssue editor: Jasper Delbecke (LUCA School of Arts/Ghent University) Between 2007 and 2010, Toneelstof appeared in Documenta: tijdschrift voor theater. This four-part series was the result of a three-year heritage project initiated by Thersites (Association of Flemish Theatre Critics). Toneelstof emerged as ‘the result of [...]

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Volume 42 • Issue 2 • 2024 • Theatre in Times of Hyperpolitics

Editors: Jasper Delbecke (Guest Editor)

Articles


Foreword. On theatre in times of hyperpolitics and the challenges for theatre studies in Flanders / Woord vooraf. Over theater in tijden van hyperpolitiek en de uitdagingen voor theaterwetenschappen in Vlaanderen

Jasper Delbecke

2025-01-20 Volume 42 • Issue 2 • 2024 • Theatre in Times of Hyperpolitics • 3–21

Repertoire, ensemble and internationalization in Flemish city-theatres in the 2010s 

Lena Vercauteren

2025-01-20 Volume 42 • Issue 2 • 2024 • Theatre in Times of Hyperpolitics • 23–46

German Theatres – Flemish Landscapes: Contextualizing Milo Rau’s NTGent Period 

Lily Climenhaga

2025-01-20 Volume 42 • Issue 2 • 2024 • Theatre in Times of Hyperpolitics • 49–73

Portfolio


Manyone: (A) History? 

Natalie Gielen

2025-01-20 Volume 42 • Issue 2 • 2024 • Theatre in Times of Hyperpolitics • 77–7

BLENDER. Een onstuimige ode aan ontmoeting en experiment: 5 theaterwerkplaatsen, 5 jonge makers en 25 enthousiaste jongeren door de blender 

Rune Wittouck

2025-01-20 Volume 42 • Issue 2 • 2024 • Theatre in Times of Hyperpolitics • 93–114

About this Journal

Documenta (ISSN 0771-8640) is an important forum for the study of theater in the Low Countries. It is a journal that accommodates in-depth, scholarly contributions on all aspects of theater, as well as essays and critical reflections. Although the main proportion of articles in Documenta focuses on theater and performance, contributions relating to music, film and New Media are also considered, as far as they relate to the performing arts.

The journal was founded in 1983 by Jozef De Vos in the bosom of the Ghent Documentation Center for Dramatic Art. Since 2015, Documenta has been published by S:PAM (Studies in Performing Arts & Media) of the Department of Theater Studies at Ghent University. The editorial board is composed of theater scholars from various universities and colleges. Chief editors are Christel Stalpaert and Bram Van Oostveldt.