Articles
1273 results
The engaged artist? A reflection on entagled practices
- Kasia Wojcik
Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses • 287–303
Dead Awaken: Milo Rau and Greek Tragedy
- Carol Martin
Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses • 45–75
(Re)Focus: An Introduction to Milo Rau and the Comparative Lens
- Dr Lily Climenhaga
Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses • 3–42
Postdramatic Katharsis and Milo Rau's Global Realism
- Lindsay Parkhowell
Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses • 109–139
Staging Violence: Milo Rau, Theatre of War, and Postcolonial Critique
- Nina Morais
Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses • 77–107
Mediated Re-enactment: Screens and Queer Time in Milo Rau’s Medea’s Children and Jürgen Kuttner’s The Tutor
- Cynthia Shin
Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses • 211–231
“unter dem Vorwand eines Prozesses eine ‚Schweiz‘ zusammenzubauen, die in dieser Verdichtung unmöglich ist, die nicht existiert” Milo Rau‘s Zürcher Prozesse
- Tanja Nusser
Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses • 181–208
Procedures of Imaging - The Nuremberg Trials and Milo Rau’s The Congo Tribunal (2015)
- Eyck Marcus Wendt
Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses • 233–261
Queering Show Trials: The Judge’s Body as a Site for the Metamorphosis of Violence
- Kfir Lapid-Mashall
Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses • 265–285
Repetition, Theater, History(ies): A Study of Milo Rau's La Reprise: Histoire(s) du Théâtre (I)
- Kehan Zhang
Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses • 161–179
Antigone in the Amazon and šxʷʔam̓ət (home): A Critical Comparison of Two Anti-Colonial (?) Plays
- Telisa Courtney
Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses • 141–158
BLENDER. Een onstuimige ode aan ontmoeting en experiment: 5 theaterwerkplaatsen, 5 jonge makers en 25 enthousiaste jongeren door de blender
- Rune Wittouck
Volume 42 • Issue 2 • 2024 • Theatre in Times of Hyperpolitics • 93–114
Manyone: (A) History?
- Natalie Gielen
Volume 42 • Issue 2 • 2024 • Theatre in Times of Hyperpolitics • 77–7
Foreword. On theatre in times of hyperpolitics and the challenges for theatre studies in Flanders / Woord vooraf. Over theater in tijden van hyperpolitiek en de uitdagingen voor theaterwetenschappen in Vlaanderen
- Jasper Delbecke
Volume 42 • Issue 2 • 2024 • Theatre in Times of Hyperpolitics • 3–21
Repertoire, ensemble and internationalization in Flemish city-theatres in the 2010s
- Lena Vercauteren
Volume 42 • Issue 2 • 2024 • Theatre in Times of Hyperpolitics • 23–46
German Theatres – Flemish Landscapes: Contextualizing Milo Rau’s NTGent Period
- Lily Climenhaga
Volume 42 • Issue 2 • 2024 • Theatre in Times of Hyperpolitics • 49–73
Clock, Fall: A Performative Lecture on Choreorobotics
- Sydney Skybetter
Volume 42 • Issue 1 • 2024 • Dancing Machines • 341–382
Do you want to get hit by a car? Then move like a GTA character!
- Nina Davies
Volume 42 • Issue 1 • 2024 • Dancing Machines • 311–327
Choreographing Surveillance, Collecting Obfuscated Movement: On View and Human Unreadable by Operator
- Ania Catherine
Volume 42 • Issue 1 • 2024 • Dancing Machines • 279–309
Dancing Embryo: Enacting Dance Experience Through Human-AI Kinematic Collaboration
- Diego Marin-Bucio
Volume 42 • Issue 1 • 2024 • Dancing Machines • 247–277
Tracing the Ouroboros’ Tail: Paradoxical Politics against Necropolitical Binaries in Lukas Avendaño and Muxx Project’s Theory and Practice
- María Regina Firmino-Castillo
Volume 42 • Issue 1 • 2024 • Dancing Machines • 199–242
Entangling Designer, System and Participant: An Interdisciplinary Methodological Account for Reimagining Embodied Knowledge in VR
- Ioulia Marouda
- Adriana La Selva
- Pieter-Jan Maes
Volume 42 • Issue 1 • 2024 • Dancing Machines • 165–197
An Alien Phenomenology in Dance: Virtual Telematic Performances as Embodied Philosophy
- Dan Strutt
Volume 42 • Issue 1 • 2024 • Dancing Machines • 129–162
Drowning in Dance Data: The Liquidity of Digital Choreography, from Sweat to Currency
- Jorge Poveda Yánez
Volume 42 • Issue 1 • 2024 • Dancing Machines • 109–127