Articles
1261 results
BLENDER. Een onstuimige ode aan ontmoeting en experiment: 5 theaterwerkplaatsen, 5 jonge makers en 25 enthousiaste jongeren door de blender
Rune Wittouck
2025-01-20 Volume 42 • Issue 2 • 2024 • Theatre in Times of Hyperpolitics • 93–114
Manyone: (A) History?
Natalie Gielen
2025-01-20 Volume 42 • Issue 2 • 2024 • Theatre in Times of Hyperpolitics • 77–7
Foreword. On theatre in times of hyperpolitics and the challenges for theatre studies in Flanders / Woord vooraf. Over theater in tijden van hyperpolitiek en de uitdagingen voor theaterwetenschappen in Vlaanderen
Jasper Delbecke
2025-01-20 Volume 42 • Issue 2 • 2024 • Theatre in Times of Hyperpolitics • 3–21
Repertoire, ensemble and internationalization in Flemish city-theatres in the 2010s
Lena Vercauteren
2025-01-20 Volume 42 • Issue 2 • 2024 • Theatre in Times of Hyperpolitics • 23–46
German Theatres – Flemish Landscapes: Contextualizing Milo Rau’s NTGent Period
Lily Climenhaga
2025-01-20 Volume 42 • Issue 2 • 2024 • Theatre in Times of Hyperpolitics • 49–73
Clock, Fall: A Performative Lecture on Choreorobotics
Sydney Skybetter
2025-01-10 Volume 42 • Issue 1 • 2024 • Dancing Machines • 341–382
Do you want to get hit by a car? Then move like a GTA character!
Nina Davies
2025-01-10 Volume 42 • Issue 1 • 2024 • Dancing Machines • 311–327
Choreographing Surveillance, Collecting Obfuscated Movement: On View and Human Unreadable by Operator
Ania Catherine
2025-01-10 Volume 42 • Issue 1 • 2024 • Dancing Machines • 279–309
Dancing Embryo: Enacting Dance Experience Through Human-AI Kinematic Collaboration
Diego Marin-Bucio
2025-01-10 Volume 42 • Issue 1 • 2024 • Dancing Machines • 247–277
Tracing the Ouroboros’ Tail: Paradoxical Politics against Necropolitical Binaries in Lukas Avendaño and Muxx Project’s Theory and Practice
María Regina Firmino-Castillo
2025-01-10 Volume 42 • Issue 1 • 2024 • Dancing Machines • 199–242
Entangling Designer, System and Participant: An Interdisciplinary Methodological Account for Reimagining Embodied Knowledge in VR
Ioulia Marouda, Adriana La Selva and Pieter-Jan Maes
2025-01-10 Volume 42 • Issue 1 • 2024 • Dancing Machines • 165–197
An Alien Phenomenology in Dance: Virtual Telematic Performances as Embodied Philosophy
Dan Strutt
2025-01-10 Volume 42 • Issue 1 • 2024 • Dancing Machines • 129–162
Drowning in Dance Data: The Liquidity of Digital Choreography, from Sweat to Currency
Jorge Poveda Yánez
2025-01-10 Volume 42 • Issue 1 • 2024 • Dancing Machines • 109–127
Breaking Acts of Dance: Capturing, Tracing, and Figuring
Laura Karreman and Nanna Verhoeff
2025-01-10 Volume 42 • Issue 1 • 2024 • Dancing Machines • 81–107
Motion Pointillism: The (Re/De)Construction of the Normative Body through Motion Capture
Hugh Alexander von Arnim, Tejaswinee Kelkar and Live Noven
2025-01-10 Volume 42 • Issue 1 • 2024 • Dancing Machines • 51–79
Sitting Here, Collecting Dance. Choreography’s affect and value in the Crypto Landscape
L. Archer Porter
2025-01-10 Volume 42 • Issue 1 • 2024 • Dancing Machines • 23–49
Trading Signals for Patterns and Ephemerality for Sensuality in Dance Studies
Jorge Poveda Yánez and Rory Fewer
2024-09-01 Volume 42 • Issue 1 • 2024 • Dancing Machines • 3–21
Legislative Theater and Modern Slavery: Exploring a Hyperlocal Approach to Combatting Human Trafficking
Sofia Nakou, Stephen Collins and Nii Kwartelai Quartey
2023-12-20 Volume 41 • Issue 2 • 2023 • Theater and Law • 283-305
Performing Institutions: Trials as Part of the Canon of Theatrical Traditions
Rocío Zamora-Sauma
2023-12-20 Volume 41 • Issue 2 • 2023 • Theater and Law • 229-253
Backstage Performances of Parliamentary Scrutiny, or Coming Together in Parliamentary Committee Rooms
Kate Seear and Sean Mulcahy
2023-12-20 Volume 41 • Issue 2 • 2023 • Theater and Law • 255-281
Creating Spaces in Law as a Practice of Theatrical Jurisprudence
Marett Leiboff
2023-12-20 Volume 41 • Issue 2 • 2023 • Theater and Law • 187-205
The Resilience of Borders: Law and Migration in Contemporary Performances
Klaas Tindemans
2023-12-20 Volume 41 • Issue 2 • 2023 • Theater and Law • 139-183
From the Truth Commission Report to the Stage and the Museum: The Artistic Dislocation of Violence from the Ecuadorian Chapter of 1983 to 2008
Jorge Poveda Yánez and Andrés Aguirre Jaramillo
2023-12-20 Volume 41 • Issue 2 • 2023 • Theater and Law • 327
The Irruption of Real Violence: The Open Dramaturgy of Theatrical Mock Trials and Milo Rau’s The Moscow Trials
Kfir Lapid-Mashall
2023-12-20 Volume 41 • Issue 2 • 2023 • Theater and Law • 29-51
(P(Re))Forming Justice: Milo Rau’s Trials and Tribunals
Lily Climenhaga
2023-12-20 Volume 41 • Issue 2 • 2023 • Theater and Law • 53-83