Volume 37 • Issue 2 • 2019 • On Colour and Spectacle

Articles


Introduction: On Colour and Spectacle

Evelien Jonckheere and Tessa Vannieuwenhuyze

2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 3–12

The Luminous Colours of the Magic Lantern: Shedding Light on the Palette of Life Model Slides

Bart G. Moens

2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 13–43

Luminous Fountains and Fairies: Fin-de-siècle Colourful Lighting Techniques and Mutating Scenography

Evelien Jonckheere

2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 44-67

Blackface Burlesque: Changing Praxes and Poetics of Blackness in the Dutch Repertoire before Minstrelsy, 1790-1830

Sarah J. Adams

2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 68–89

The Double Poetics of Popular Images: A Dialogue between Popular Culture and Postdramatic Theatre

Christel Stalpaert

2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 90–106

Performing the City: Urban Discourses and the Representation of Italian Cities in the Music Videos of Italian rapper Capo Plaza

Lisa Vancauwenberghe

2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 107–131

“I got 99 performances and Facebook ain’t the only one”. The Musical Persona Revisited: Music Performance and Self-Staging on Social Media

Tessa Vannieuwenhuyze

2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 132–162

Portfolio


Why Drag? Observations and Notes on Drag & Drag Performance during a Time of Drag Popularity

Simon Baetens

2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 166–182

Grounding Colour

Joost Rekveld

2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 183–203

VA AA LR: On the Spectacle of Sound

Tessa Vannieuwenhuyze

2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 204–212

“Unusually superficial”. An Interview with Artistic Duo Mardulier and Deprez

Tessa Vannieuwenhuyze

2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 213–240