Volume 37 • Nummer 2 • 2019 • On Colour and Spectacle
Articles
Introduction: On Colour and Spectacle
Evelien Jonckheere and Tessa Vannieuwenhuyze
2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 3–12
The Luminous Colours of the Magic Lantern: Shedding Light on the Palette of Life Model Slides
Bart G. Moens
2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 13–43
Luminous Fountains and Fairies: Fin-de-siècle Colourful Lighting Techniques and Mutating Scenography
Evelien Jonckheere
2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 44-67
Blackface Burlesque: Changing Praxes and Poetics of Blackness in the Dutch Repertoire before Minstrelsy, 1790-1830
Sarah J. Adams
2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 68–89
The Double Poetics of Popular Images: A Dialogue between Popular Culture and Postdramatic Theatre
Christel Stalpaert
2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 90–106
Performing the City: Urban Discourses and the Representation of Italian Cities in the Music Videos of Italian rapper Capo Plaza
Lisa Vancauwenberghe
2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 107–131
“I got 99 performances and Facebook ain’t the only one”. The Musical Persona Revisited: Music Performance and Self-Staging on Social Media
Tessa Vannieuwenhuyze
2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 132–162
Portfolio
Why Drag? Observations and Notes on Drag & Drag Performance during a Time of Drag Popularity
Simon Baetens
2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 166–182
Grounding Colour
Joost Rekveld
2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 183–203