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  • Volume 23 • Issue 3 • 2005

    Volume 23 • Issue 3 • 2005


Articles


The performance of Comedy in East and West: cultural boundaries and the Art of Cunning

  • Mieke Kolk

Volume 23 • Issue 3 • 2005 • 151-162

Comedy in the arabic cultural system: A Preliminary Critique

  • Said Naji

Volume 23 • Issue 3 • 2005 • 163-165

Laughing matters revisited: The universality and Relativity of Comicality

  • Karel Boullart

Volume 23 • Issue 3 • 2005 • 181-194

Comedy Between performativity and Polyphony: the politics of Non-Serious Language

  • Michiel Leezenberg

Volume 23 • Issue 3 • 2005 • 195-209

Lies, illusions and authority: the thousand and one nights and arabic comic theatre

  • Richard Van Leeuwen

Volume 23 • Issue 3 • 2005

The contribution of Yusuf Idris to Egyptian and World Comedy

  • Marvin Carlson

Volume 23 • Issue 3 • 2005 • 225-230

The grotesque in Twafiq Al-Hakim’s The Sultan’s Dilemma

  • Hassan Mniai

Volume 23 • Issue 3 • 2005 • 231-234

Performing Aristophanes' Lysistrata on the Arabic Stage

  • Marian Kotzamani

Volume 23 • Issue 3 • 2005 • 235-243

Between Tragedy and Farce: Retelling the Story of two Develish Sisters

  • Eman Karmoety

Volume 23 • Issue 3 • 2005 • 244-254

Topographies of Desire. Recent Egyptian Drama and the Strategies of the Absurd.

  • Mieke Kolk

Volume 23 • Issue 3 • 2005 • 253-261

Performing Comicality in Moroccan Theatre: The Postcolonial condition of hybridity and the third space

  • Khalid Amine

Volume 23 • Issue 3 • 2005 • 262-274

Performing Siyah Bazi / Playing the Black: Satire and Social Relief in Historical Iran

  • Farah Yeganeh Tabrizi
  • Mehrdad Rayani

Volume 23 • Issue 3 • 2005 • 275-284

The genesis of comedy and the comic conditions in Sudanese Theatre: A short History

  • Shams El Din Younis

Volume 23 • Issue 3 • 2005 • 285-290

Traditional Western Interpretations of the Comic Hero vs. the Lacanian Challenge. The Case of Amphithruo

  • Freddy Decreus

Volume 23 • Issue 3 • 2005 • 291-305

The comic in the Tragic: Parody and Critique in Modern Productions of Euripides’ Hecuba

  • Loma Hardwick

Volume 23 • Issue 3 • 2005 • 306-315

Splendid Cruelty: the Turk in Early Modern Court Entertainment in The Netherlands and France

  • Stijn Bussels

Volume 23 • Issue 3 • 2005 • 316-330

Orientalism, Despotism an Governmentality – Rereading the harem as a Domestic Space in the French Opéra Comique Soliman II ou les trois Sultanes (1761)

  • Bram Van Oostveldt

Volume 23 • Issue 3 • 2005 • 331-344