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  • Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses

    Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses


Articles


(Re)Focus: An Introduction to Milo Rau and the Comparative Lens 

  • Dr Lily Climenhaga

Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses • 3–42

Dead Awaken: Milo Rau and Greek Tragedy 

  • Carol Martin

Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses • 45–75

Staging Violence: Milo Rau, Theatre of War, and Postcolonial Critique

  • Nina Morais

Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses • 77–107

Postdramatic Katharsis and Milo Rau's Global Realism

  • Lindsay Parkhowell

Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses • 109–139

Antigone in the Amazon and šxʷʔam̓ət (home): A Critical Comparison of Two Anti-Colonial (?) Plays

  • Telisa Courtney

Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses • 141–158

Repetition, Theater, History(ies): A Study of Milo Rau's La Reprise:  Histoire(s) du Théâtre (I)

  • Kehan Zhang

Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses • 161–179

“unter dem Vorwand eines Prozesses eine ‚Schweiz‘ zusammenzubauen, die in dieser Verdichtung unmöglich ist, die nicht existiert”  Milo Rau‘s Zürcher Prozesse

  • Tanja Nusser

Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses • 181–208

Mediated Re-enactment: Screens and Queer Time in Milo Rau’s Medea’s Children and Jürgen Kuttner’s The Tutor

  • Cynthia Shin

Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses • 211–231

Procedures of Imaging - The Nuremberg Trials and Milo Rau’s The Congo Tribunal (2015)

  • Eyck Marcus Wendt

Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses • 233–261

Portfolio


Queering Show Trials: The Judge’s Body as a Site for the Metamorphosis of Violence

  • Kfir Lapid-Mashall

Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses • 265–285

The engaged artist? A reflection on entagled practices

  • Kasia Wojcik

Volume 43 • Issue 1 • 2025 • Milo Rau - Comparative Lenses • 287–303