Announcements
Documenta 40.2 is out!
Posted by Steff Nellis on 2023-05-09
The second issue of 2022 is finally here! This latest edition features contributions from Rosa van Kollem, Marie Peeters, Eléa De Winter, Lena Vercauteren, Marthe De Ruysscher, Steff Nellis, Remi Cosijn, Rojda Gülüzar Karakuş, Eline Van den Broeck, Klaas Tindemans, and Joachim Ben Yakoub. Enjoy reading!
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Call for Papers Documenta (Volume 42, Issue 1, 2024) | Dance and New Tech
Posted by Steff Nellis on 2023-04-28
DANCE AND NEW TECH. A.I., VR, MoCap, Blockchain and the new frontiers we are designing for the field.What are the new frontiers we expect for dance to break through, to draw from, to reiterate, to simulate? Alongside this, what are the new frameworks that we need to account for such transformations? The digitization of dance or dance data is challenging the conceptual frameworks championed [...]
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Documenta 40.1 (2022) - Marianne Van Kerkhoven
Posted by Steff Nellis on 2022-12-08
Marianne Van Kerkhoven heeft als dramaturge een unieke plaats in het podiumkunstenlandschap verworven. Haar loopbaan leest als een verzameling van cruciale momenten in de recente Vlaams-Nederlandse theatergeschiedenis sinds 1968. Na haar vroegtijdig overlijden in 2013 denken verschillende instanties dan ook na over haar artistiek, kritisch en wetenschappelijk nalatenschap. Zo ook Anoek [...]
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Call for Papers Documenta (Volume 41, Issue 2, 2023) | Theater & Law
Posted by Eline Denolf on 2022-10-07
Documenta: Journal for Theater (Volume 41, Issue 2, 2023)CALL FOR PAPERS: Theater & Law Issue editor: Steff Nellis (Ghent University) In 2017, Swiss director Milo Rau set up a highly influential theatrical trial: The Congo Tribunal. Despite pointing out the fictional status of his tribunal, he expresses a great desire for the collected material to be taken seriously and for his [...]
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Call for Papers Documenta Special Edition | Parliament of Practices
Posted by Eline Denolf on 2022-10-06
Documenta: Vol. 41, #1Special Edition: Parliament of PracticesCan new epistemologies, tactics and even an ethos emerge from a dialogue between different artists, researchers and other professionals grounded in diverse traditions of praxis and poiesis? How can we open up a process of exchange - grounded, partly, in laboratory theatre - to disciplines beyond the Performing Arts? What might be the [...]
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