Articles
1261 results
Slapstick in Italië: de receptie in filmtijdschriften en distributie gedurende het interbellum
Sofie Frederix
2020-06-30 Volume 38 • Issue 2 • 2020 • 9–31
Het Atelier doorzocht. Theater op het kruispunt met beeldende kunst
Rosa Lambert
2020-06-30 Volume 38 • Issue 2 • 2020 • 118–145
In reprise. Tweeëntwintig Nederlandse en Vlaamse toneelstukken om opnieuw te bekijken
Sophie van den Bergh
2020-06-30 Volume 38 • Issue 2 • 2020 • 243–246
Introduction to a phenomenological approach to sound and listening
Martine Huvenne
2020-02-27 Volume 38 • Issue 1 • 2020 • Sound and Listening • 11–21
No Time for caution. De geluidswering in Interstellar.
Elizabeth Tack
2020-02-27 Volume 38 • Issue 1 • 2020 • Sound and Listening • 22–37
Linking embodied coordination dynamics and subjective experiences in musical interactions: a renewed methodological paradigm
Bavo Van Kerrebroeck, Mattia Rosso and Pieter-Jan Maes
2020-02-27 Volume 38 • Issue 1 • 2020 • Sound and Listening • 38–60
The touch of sound, more than a metaphor: the inscription of the listening body in the corporeality of a group
Leonie Persyn
2020-02-27 Volume 38 • Issue 1 • 2020 • Sound and Listening • 62–77
Thinking-through-Media: The Genius Loci from Artistic Research
Krien Clevis
2020-02-27 Volume 38 • Issue 1 • 2020 • Sound and Listening • 78–104
Ce qui précède voir
Inge van den Kroonenberg
2020-02-27 Volume 38 • Issue 1 • 2020 • Sound and Listening • 106–114
Thinking-through-Media: The Genius Loci from Artistic Research
Krien Clevis
2020-02-27 Volume 38 • Issue 1 • 2020 • Sound and Listening • 118–119
Fotograf. Een podcast
Katharina Smets
2020-02-27 Volume 38 • Issue 1 • 2020 • Sound and Listening • 120–121
Listening out for the Ambiguity of Unreliable Things
Salomé Voegelin
2020-02-27 Volume 38 • Issue 1 • 2020 • Sound and Listening • 142–153
Towards Gendered Listening. Questions, exercises and reflections
Anna Raimondo
2020-02-27 Volume 38 • Issue 1 • 2020 • Sound and Listening • 154–161
Bernaerts, Lars & Bluijs, Siebe (red.). Luisterrijk der letteren: Hoorspel en literatuur in Nederland en Vlaanderen.
Steff Nellis
2020-02-27 Volume 38 • Issue 1 • 2020 • Sound and Listening • 165–168
Social acceleration and social distancing in the social factory
Annelies Van Assche
2019-10-19 Volume 37 • Issue 3 • 2019 • Social acceleration and social distancing in the social factory (Extra Contribution by Dr. Annelies Van Assche)
“I got 99 performances and Facebook ain’t the only one”. The Musical Persona Revisited: Music Performance and Self-Staging on Social Media
Tessa Vannieuwenhuyze
2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 132–162
The Double Poetics of Popular Images: A Dialogue between Popular Culture and Postdramatic Theatre
Christel Stalpaert
2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 90–106
Why Drag? Observations and Notes on Drag & Drag Performance during a Time of Drag Popularity
Simon Baetens
2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 166–182
Performing the City: Urban Discourses and the Representation of Italian Cities in the Music Videos of Italian rapper Capo Plaza
Lisa Vancauwenberghe
2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 107–131
Blackface Burlesque: Changing Praxes and Poetics of Blackness in the Dutch Repertoire before Minstrelsy, 1790-1830
Sarah J. Adams
2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 68–89
Introduction: On Colour and Spectacle
Evelien Jonckheere and Tessa Vannieuwenhuyze
2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 3–12