Articles
1262 results
BLENDER. Een onstuimige ode aan ontmoeting en experiment: 5 theaterwerkplaatsen, 5 jonge makers en 25 enthousiaste jongeren door de blender
- Rune Wittouck
Volume 42 • Issue 2 • 2024 • Theatre in Times of Hyperpolitics • 93–114
Manyone: (A) History?
- Natalie Gielen
Volume 42 • Issue 2 • 2024 • Theatre in Times of Hyperpolitics • 77–7
Foreword. On theatre in times of hyperpolitics and the challenges for theatre studies in Flanders / Woord vooraf. Over theater in tijden van hyperpolitiek en de uitdagingen voor theaterwetenschappen in Vlaanderen
- Jasper Delbecke
Volume 42 • Issue 2 • 2024 • Theatre in Times of Hyperpolitics • 3–21
Repertoire, ensemble and internationalization in Flemish city-theatres in the 2010s
- Lena Vercauteren
Volume 42 • Issue 2 • 2024 • Theatre in Times of Hyperpolitics • 23–46
German Theatres – Flemish Landscapes: Contextualizing Milo Rau’s NTGent Period
- Lily Climenhaga
Volume 42 • Issue 2 • 2024 • Theatre in Times of Hyperpolitics • 49–73
Clock, Fall: A Performative Lecture on Choreorobotics
- Sydney Skybetter
Volume 42 • Issue 1 • 2024 • Dancing Machines • 341–382
Do you want to get hit by a car? Then move like a GTA character!
- Nina Davies
Volume 42 • Issue 1 • 2024 • Dancing Machines • 311–327
Choreographing Surveillance, Collecting Obfuscated Movement: On View and Human Unreadable by Operator
- Ania Catherine
Volume 42 • Issue 1 • 2024 • Dancing Machines • 279–309
Dancing Embryo: Enacting Dance Experience Through Human-AI Kinematic Collaboration
- Diego Marin-Bucio
Volume 42 • Issue 1 • 2024 • Dancing Machines • 247–277
Tracing the Ouroboros’ Tail: Paradoxical Politics against Necropolitical Binaries in Lukas Avendaño and Muxx Project’s Theory and Practice
- María Regina Firmino-Castillo
Volume 42 • Issue 1 • 2024 • Dancing Machines • 199–242
Entangling Designer, System and Participant: An Interdisciplinary Methodological Account for Reimagining Embodied Knowledge in VR
- Ioulia Marouda
- Adriana La Selva
- Pieter-Jan Maes
Volume 42 • Issue 1 • 2024 • Dancing Machines • 165–197
An Alien Phenomenology in Dance: Virtual Telematic Performances as Embodied Philosophy
- Dan Strutt
Volume 42 • Issue 1 • 2024 • Dancing Machines • 129–162
Drowning in Dance Data: The Liquidity of Digital Choreography, from Sweat to Currency
- Jorge Poveda Yánez
Volume 42 • Issue 1 • 2024 • Dancing Machines • 109–127
Breaking Acts of Dance: Capturing, Tracing, and Figuring
- Laura Karreman
- Nanna Verhoeff
Volume 42 • Issue 1 • 2024 • Dancing Machines • 81–107
Motion Pointillism: The (Re/De)Construction of the Normative Body through Motion Capture
- Hugh Alexander von Arnim
- Tejaswinee Kelkar
- Live Noven
Volume 42 • Issue 1 • 2024 • Dancing Machines • 51–79
Sitting Here, Collecting Dance. Choreography’s affect and value in the Crypto Landscape
- L. Archer Porter
Volume 42 • Issue 1 • 2024 • Dancing Machines • 23–49
Trading Signals for Patterns and Ephemerality for Sensuality in Dance Studies
- Jorge Poveda Yánez
- Rory Fewer
Volume 42 • Issue 1 • 2024 • Dancing Machines • 3–21
Legislative Theater and Modern Slavery: Exploring a Hyperlocal Approach to Combatting Human Trafficking
- Sofia Nakou
- Stephen Collins
- Nii Kwartelai Quartey
Volume 41 • Issue 2 • 2023 • Theater and Law • 283-305
Performing Institutions: Trials as Part of the Canon of Theatrical Traditions
- Rocío Zamora-Sauma
Volume 41 • Issue 2 • 2023 • Theater and Law • 229-253
Backstage Performances of Parliamentary Scrutiny, or Coming Together in Parliamentary Committee Rooms
- Kate Seear
- Sean Mulcahy
Volume 41 • Issue 2 • 2023 • Theater and Law • 255-281
Creating Spaces in Law as a Practice of Theatrical Jurisprudence
- Marett Leiboff
Volume 41 • Issue 2 • 2023 • Theater and Law • 187-205
The Resilience of Borders: Law and Migration in Contemporary Performances
- Klaas Tindemans
Volume 41 • Issue 2 • 2023 • Theater and Law • 139-183
From the Truth Commission Report to the Stage and the Museum: The Artistic Dislocation of Violence from the Ecuadorian Chapter of 1983 to 2008
- Jorge Poveda Yánez
- Andrés Aguirre Jaramillo
Volume 41 • Issue 2 • 2023 • Theater and Law • 327
The Irruption of Real Violence: The Open Dramaturgy of Theatrical Mock Trials and Milo Rau’s The Moscow Trials
- Kfir Lapid-Mashall
Volume 41 • Issue 2 • 2023 • Theater and Law • 29-51