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Articles

1261 results

The Luminous Colours of the Magic Lantern: Shedding Light on the Palette of Life Model Slides

Bart G. Moens

2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 13–43

Grounding Colour

Joost Rekveld

2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 183–203

VA AA LR: On the Spectacle of Sound

Tessa Vannieuwenhuyze

2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 204–212

“Unusually superficial”. An Interview with Artistic Duo Mardulier and Deprez

Tessa Vannieuwenhuyze

2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 213–240

Luminous Fountains and Fairies: Fin-de-siècle Colourful Lighting Techniques and Mutating Scenography

Evelien Jonckheere

2019-06-30 Volume 37 • Issue 2 • 2019 • On Colour and Spectacle • 44-67

From New England to the Low Countries: A comparative translation analysis of Eugene O’Neill’s Desire under the elms and Arne Sierens’ Het begeren onder de olmen

Eline Denolf

2019-01-14 Volume 37 • Issue 1 • 2019

On social practices which Donna Haraway calls "Teddy Bear Patriarchy"

Jelena Juresa and Asa Mendelsohn

2019-01-14 Volume 37 • Issue 1 • 2019

[* b o : m][h o Ʊ m] - Living on a Tree

Tanja Becher

2019-01-14 Volume 37 • Issue 1 • 2019

Hyperinflation

Mladen Bundalo

2019-01-14 Volume 37 • Issue 1 • 2019

Intermedial Performance and Politics in the Public Sphere

Clio Unger

2019-01-14 Volume 37 • Issue 1 • 2019

De Waarheidscommissie reconsidered: Tussen realiteit en fictie. Een postkoloniaal-marxistische analyse van De Waarheidscommissie van Action Zoo Humain

Steff Nellis

2019-01-14 Volume 37 • Issue 1 • 2019

The Joycean society (2013) van Dora García: Visibiliteit geven of figureren, tijd voor lezen en spreken

Sarah Kesenne

2019-01-14 Volume 37 • Issue 1 • 2019

Challenging hegemony. Theatre as an ideological space in Tadeusz Kantor’s Theatre of Death

Jonas Vanderschueren

2019-01-14 Volume 37 • Issue 1 • 2019

Listening as critique: Towards a methodology of absent presences in research on coloniality

Marte Van Hassel

2019-01-14 Volume 37 • Issue 1 • 2019

Engaging audiences with museum exhibits through dance performances

Maria Evangelia Riga

2019-01-14 Volume 37 • Issue 1 • 2019

Expression and Symptom

Marija Krtolica

2019-01-14 Volume 37 • Issue 1 • 2019

Woord vooraf

Christel Stalpaert

2019-01-14 Volume 37 • Issue 1 • 2019

Ivo Van Hove Onstage

Laurens de Vos

2018-10-10 Volume 36 • Issue 2 • 2018 • 232-234

Performing Architectures: Project, Practices, Pedagogies

Elias D'hollander

2018-10-10 Volume 36 • Issue 2 • 2018 • 225-231

Aandacht! Aandacht! Aandacht en verstrooiing in het Gentse Grand Théâtre, café-concert en variététheater, 1880-1914

Sylvia Althing van Geusau

2018-10-10 Volume 36 • Issue 2 • 2018 • 222-224

Het palimpsest van de scenografie. Jozef Wouters over Infini 1-15

Karel Vanhaesebrouck and Jozef Wouters

2018-10-10 Volume 36 • Issue 2 • 2018 • 208-220

To touch life with art. A conversation with composer Chaya Czernowin on the opera Infinite Now

Eva Van Daele

2018-10-10 Volume 36 • Issue 2 • 2018 • 194-207

Notes-portfolio

Ivana Müller and Christel Stalpaert

2018-10-10 Volume 36 • Issue 2 • 2018 • 106-193

Onteigende beelden. Ivana Müller, Bertolt Brecht en het politieke potentieel van de 'conceptuele' dans

Jonas Rutgeerts

2018-10-10 Volume 36 • Issue 2 • 2018 • 87-104

De zoektocht naar het existentiële. Een analyse van het 'oneindige nu' in Infinite Now van Chaya Czernowin en Luk Perceval

Eva Van Daele

2018-10-10 Volume 36 • Issue 2 • 2018 • 72-86